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Around the World in 80 Days

VenueDeutsche Oper Berlin
CalendarSun 15 Nov 2026 - Sun 18 Apr 2027
Synopsis/Details

 

Max loves to read. Now a book written over 150 years ago has captivated him: In 80 Tagen um die Welt by Jules Verne, known in English as Around the World in 80 Days. Not even Max’s girlfriend Josi can keep him from his reading, even though she feels he can’t escape into his own world in his attic forever. After all, reality is exciting enough, he should go with her to the important demonstration! Yet Max gets so lost in his book that the characters suddenly come to life and he takes on a key role in the story: Phileas Fogg, the eccentric English gentleman, takes on Max as his servant. Fogg has spent half of his assets to circumnavigate the world in 80 days. Nowadays that would be no problem, but it was a huge undertaking 150 years ago. Max, now named Passepartout, joins Fogg on an adventure into the past, visiting the Egyptian pyramids, India, Hong Kong and ultimately America. Sometimes they travel by train, other times by ship, even by elephant… Yet Detective Fix, who believes Fogg to be a wanted bank robber, is hot on their trail. Fortunately, Fogg is aided not just by Max a.k.a. Passepartout, but also by the very clever Aouda, who ensures that the constantly cool and collected Fogg suddenly shows emotions… This world-famous story that has often found itself on the big screen inspired English composer Jonathan Dove to craft a score that crosses the globe. Peter Lund wrote the libretto and is directing the piece. The result is a fast-paced family opera that takes a new, tongue-in-cheek perspective of a fascinating tale. We are looking forward to presenting a new opera for the whole family on the big stage at Deutsche Oper Berlin.

Introduction: For the school performances on 3 December 2026 and 14 April 2027, we offer workshops for school groups to help them prepare for or follow up on their visit to the opera.

Language: In German language with German and English surtitles

Duration: 2 hours / including an interval after approx. 55 minutes

Age recommendation: from age 7

Co-production: A production by Zurich Opera House. With generous support from the Förderkreis der Deutschen Oper Berlin

Cast

Opera in two acts for children from age 7 and up and the eternally young
based on the novel of the same name by Jules Verne
Libretto by Peter Lund
Commission of the Opernhaus Zürich, World premiere on 17 November 2024
Premiere at the Deutsche Oper Berlin on 15 November 2026

 

Team

Conductor: Giovanni Conti

Director: Peter Lund

Stage design, Costume design: Ulrike Reinhard; Hanna Sophie Stejskal

Light design: Franck Evin

Video: Andreas Ivancsics

Dramaturgy: Konstantin Parnian; Kathrin Brunner

 

Cast

Josi: Lilit Davtyan

Aouda: Julieth Lozano

Max: Thomas Cilluffo

Phileas Fogg: Artur Garbas

Fix: Padraic Rowan

Consul / Stoker: Sophie Salvesani

Conductor / Guide / Steward: Marlen Bieber

Conductor / Sailor / Chief of the Apaches: N. N.

Orchestra: Orchester der Deutschen Oper Berlin

Venue
Deutsche Oper Berlin

The Deutsche Oper Berlin is an opera company located in the Charlottenburg district of Berlin, Germany. The resident building is the country's second largest opera house and also home to the Berlin State Ballet.

The company's history goes back to the Deutsches Opernhaus built by the then independent city of Charlottenburg—the "richest town of Prussia"—according to plans designed by Heinrich Seeling from 1911. It opened on November 7, 1912 with a performance of Beethoven's Fidelio, conducted by Ignatz Waghalter. After the incorporation of Charlottenburg by the 1920 Greater Berlin Act, the name of the resident building was changed to Städtische Oper (Municipal Opera) in 1925.

 

Deutsches Opernhaus, 1912
With the Nazi Machtergreifung in 1933, the opera was under control of the Reich Ministry of Public Enlightenment and Propaganda. Minister Joseph Goebbels had the name changed back to Deutsches Opernhaus, competing with the Berlin State Opera in Mitte controlled by his rival, the Prussian minister-president Hermann Göring. In 1935, the building was remodeled by Paul Baumgarten and the seating reduced from 2300 to 2098. Carl Ebert, the pre-World War II general manager, chose to emigrate from Germany rather than endorse the Nazi view of music, and went on to co-found the Glyndebourne opera festival in England. He was replaced by Max von Schillings, who acceded to enact works of "unalloyed German character". Several artists, like the conductor Fritz Stiedry or the singer Alexander Kipnis followed Ebert into emigration. The opera house was destroyed by a RAF air raid on 23 November 1943. Performances continued at the Admiralspalast in Mitte until 1945. Ebert returned as general manager after the war.

After the war, the company in what was now West Berlin used the nearby building of the Theater des Westens until the opera house was rebuilt. The sober design by Fritz Bornemann was completed on 24 September 1961. The opening production was Mozart's Don Giovanni. The new building opened with the current name.

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